Also subtitled, stop stacking adverbs for ‘extra precision’ and make up your mind already.
I should preface this thought: I am the worst offender you may meet in some time. I have an illicit affair with ‘clambered carefully’ and ‘the actual [noun]’, as if readers can’t distinguish being close to something and interacting with it directly. I feel the need to clarify points in time before all actions, less someone’s inner head-real be off by a few minutes or seconds.
Why is this a nasty habit? Because it’s cloudy writing. Because if the weather of your prose can’t change with the mood, someone is going to notice that it’s a static element, and therefore dead weight if used constantly.
Rather than presenting this idea as a rule (I still hate the writing-rules, never fear), I think that modifiers and description styles need to be examined and better understood, rather than defaulted to. Practiced, even. If anyone is willing to try out the idea, try a writing sketch in both styles and note the difference. (And let me know how it goes!)