It’s been a heck of a week! Trying to get the hang of teaching has drained me pretty dry for the last two weeks. I’m glad to report that we’re now working with code (which to me is easier to teach than history), my students look to be a fun group, with the exception of one or two of the guys who seem to be far too ‘cool’ to be taught by a hyper nerd-ette.
Which means that after two weeks of delays, it’s back to my novel, and back to thoughts on writing craft.
I remember watching old bugs bunny cartoons, and knowing what’s going to happen next, because one plank of a fence board will be a slightly different color than the others. It always annoyed me, letting one prop stand out from the others. Lately, I’ve been having the same problem in writing.
If you have a group of characters show up, how do you handle them? Do you go through the entire process of developing them? Do you name one or two, and leave the rest as blank faces? Leave them all blank, and hope that they’re still important?
Option 1– develop them all. It’s realistic. It brings a lot of focus on the parts of the new force, maybe even too much, detracting from the main characters and whatever else would be going on. Name them, and the reader will feel obligated to remember their names. Another advantage is that if one is utterly unimportant and another will make a huge difference later on, the device isn’t just inobvious– it doesn’t exist at all. I think this can be a good choice if introduced early into the book, or if they’re a constant presence.
Option 2– name the important ones. … I feel awkward about this method. It always seems painfully obvious who the returning characters are. Like the joke from Order of the Stick, “They won’t survive! They don’t even have names!” (link). It’s less weird if the main character has a reason to note one out of the group, say they’re looking at a girl he likes, or if something they do stands out. But that’s interaction as an individual, not as a part of the group.
Option 3– name no one. Make them all faceless. Last summer, I attended a fantasy-sci-fi conference in Spokane. One of the panels I attended included Timothy Zahn, of Star Wars fame, discussing villains in stories, and we made a comment that a lack of familiarity with the villain, not understanding who he is or his motivation makes said character less of a villain and more of a force of nature. Of course, this might be easier when you’re working with stormtroopers.
These are the techniques that come immediately to mind… but here’s what I want.
I want an immediate impression of a group as a whole. I want to be aware of the characters in a vague light, as tertiary characters ought to be seen, but ready to pop out, without being obvious which one will be used for plot, yet supported and foreshadowed.
Any thoughts on this?